To welcome the new year, we are featuring new voices. Some of these names are not entirely new to writing, but it is their first time to be published in Cotabato Literary Journal. The works also came not from our inbox but from zines, a Facebook page, and a writing competition. We go out of our way to discover new talents, and we are rewarded every time.
On November 25, 2018, the second SOX Zine Fest was held in Koronadal City, South Cotabato, and one of the best works from the event is Zaira Mae Calub’s “The Days and Nights of Claire,” a short story in a collection of works by a group of college students. Calub writes with the deftness of a seasoned fictionist. The characters are compelling, and the plot is clean, and with an eye for detail, she turns a stale psychological thriller into an intimate tale of love and loss, as could be glimpsed from this sentence: I walked down the suburban road out of that house he called home, or at least based on the Home Sweet Home doormat that must have never been washed since it was laid down on the front doorstep.
Other remarkable outputs from the zine fest are Renaizza Sheen D. Fuentebella’s “White Sikad” and Jeffriel Buan’s “Ang Thesis ni Jeneva.” The former is a heartwarming tale about an encounter with a strange old woman, and the latter is a comical take on the struggles of a college student. Buan’s work, written in highfalutin Cebuano interspersed with English clichés and pop culture references, belongs to a type of writing that has become a regular fare in student publications in General Santos City, first popularized about twenty years ago by John Vianney Trocio of Mindanao State University. These writings often border on shallow entertainment, but they can also veer towards satire, as exemplified in “Ang Thesis.”
Nilyn Gamuza Pacariem’s “Abyan” is a binalaybay, or Hiligaynon poem, that likens a friend to a tasty dish: maisog ang timplada/ nagapanalupsup sa kaundan/ ang tagsa ka tinaga/ nga ginasimbug. Many writers tend to anthropomorphize everything, and here, Pacariem does the opposite; she ascribes the qualities of something inanimate to a human being. As a result, she successfully shows us how deep our longing could be for one another and makes us see in another light the nonliving things around us.
Luis B. Bahay Jr. wrote “Mababasa Rin ang Lupang Tuyo” in remembrance of “the Kidapawan massacre,” as the media calls it. On April 2, 2016, at least three protesters died and more than a hundred were injured in a dispersal of a rally in Kidapawan City, Cotabato Province. Complex and conflicting narratives about the event have been unraveled since then. One side accuses the authorities of oppression and heavy-handedness. The other side accuses leftist groups of manipulating the poor, especially the indigenous people, to rise up against the government. Bahay’s poem reminds readers of the crux of the matter—a drought had caused hunger among farmers, and instead of being given rice, bullets rained on them.
Roi Marc P. Labasan’s “Fairy Tale” is a humorous and stinging response to some teenagers’ naive view of love and life, formed or reinforced by traditional Disney animated movies: A kiss will never ever wake you from an eternal coma. If you’re dying, go get a doctor, not a creepy prince. He first delivered the piece at a spoken word poetry event in Kabacan, Cotabato Province. Even if the piece is a bit too cynical, it was refreshing to hear amidst the monotonous lamentations about unrequited feelings and unfaithful partners. Like the two other poems in this issue, Labasan’s poem was previously posted on Sulat SOX, a popular Facebook page that features non-refereed works from writers in SOCCSKSARGEN Region.
The only essay in this issue, Niccah T. Carillo’s “Treasures for a Lifetime,” was one of the two finalists at the inaugural edition of the regionwide Lagulad Prize. A teenager who has to work her way to school, Carillo finds a free time one day to sit in the city plaza and look back on her life so far. Award-winning essayist Wilfredo Pascual, the final judge of the contest, stated that he “appreciated” Carillo’s “endearing and precious reflections” in her essay and reading it reminded him of the phase in his youth when his journal was “riddled with mottos.”
We hope that by putting the spotlight on new voices on this special part of the year, we can encourage more people to write, not only for Cotabato Literary Journal but in all venues that are available to them. The previous twenty-eight issues of the journal have proven that the region is a wellspring of literary talents. All they need is an opportunity to be heard and appreciated and some nurturing. May we all have a productive year ahead!
Sen. Ninoy Aquino, Sultan Kudarat